The big-brand look.
Every week.

Everything I make for you is yours, finished and raw. With every delivery you get:

• The final videos in every size you need (16:9, 1:1, 4:5, 9:16), ready to post
• Versions with and without burned-in captions
• Caption files (SRT) for every video
• The editable Premiere Pro project
• The After Effects projects for titles, lower thirds and motion graphics
• Graphics as separate files: logos, lower thirds and end cards with transparent backgrounds
• The raw footage and the selects, organised and named
• Cover frames and thumbnails for each post
• Music licence details for every track used
• A short handover note: what is where, and which fonts are used

If we stop working together, nothing is stuck with me. Your team can pick up any file and keep going.

No account managers and no hand-offs: the person you brief is the person who writes, cuts and finishes the work.

• Nothing gets lost between people. What you say in the brief is what ends up on screen.
• Decisions are fast. There is no chain of internal approvals on my side.
• One look across everything: the film, the social cuts and the website come from the same hands.
• Your context stays with me, so month two starts where month one ended.
• The footage, three ways: your own recordings or screen captures, a remote shoot I direct, or a crew I book near you.
• Big-brand standards: a decade of films for Fortune 500 brands with The Film Lab.
• I reply within one working day.
• I work with a few companies at a time, so your month gets real attention.

Every piece comes to you as a review link. You watch it in your browser, click on the exact moment you want to change and leave your note right there. No long email threads, no "at around 0:42".

• A private review link for every cut, opened in any browser
• Click on the frame and leave your note on that exact moment, or draw on the frame if it is quicker
• Your whole team comments in the same place, so notes never contradict each other in different inboxes
• I apply the changes and send the next version to the same link, so you can see what changed
• Bigger changes of direction we agree on first

It keeps the work fast: you spend minutes giving notes, not an afternoon writing them.

I care about craft, and I still make things by hand. AI takes the repetitive work, which is how one person can cover a whole month. Here is exactly where each one sits.

Made by hand

• The story and the script
• Choosing the takes and the moments that matter
• The cut: pacing, structure and every final decision
• The look: typography, motion design and colour
• Final sound and sign-off on every piece

Where AI helps

• Transcripts, so hours of interviews become searchable in minutes
• A first assembly of the story from the transcript, which I then cut by hand
• Resizing and reframing for every format
• Captions and subtitles
• Storyboards and mock-ups made the same day, in your look
• Generated shots only when you ask for them and approve them

The AI I use

• Claude and Gemini, plus any other model that is right for the job
• The set-up is tailored to each client and each project
• Secure, business-grade AI models only
• I keep up with new tools every day, so you always get the newest ones that work

The story, the take, the final cut: those calls stay human.